我的绘画探索个体与环境之间陌生/亲密的复杂关系。其灵感源自实际生活经验——从近在咫尺的家庭空间，到远隔重洋的异国他乡。在今天的技术图像时代，时空差异往往被快速压缩为均质的虚拟景观，而我选择以“古老”的手工绘画方式，深入探索那些独特的、具身的微妙体验。

对我而言，绘画乃是可见者与不可见者之间的沟通。在技术力量无限膨胀的当下，人的价值日渐失落，这或许源于对超验维度的遗忘。我希望通过绘画，重新直观被种种先入之见遮蔽的可见世界，以及闪耀于其间的各样神秘与启示。

我相信视觉现象本身是被赠予画家的礼物，在熟悉的家宅与陌生的旅途中，它们以各样的姿态毫无征兆、不可抗拒地降临。我的绘画几乎总是由这种先行到来的礼物所唤起，经由肉身参与的作画行动，这些作品共同构成某种日记，以直接或间接的方式为我在世界中的存在留下印记。

总体而言，我试图通过个体的视角和语言，寻回人与世界以及与不可见者之间的关联，并将之呈现为作品。我希望自己的艺术成为一种对启示的领受与回应。

My paintings explore the complex interplay of strangeness and intimacy between the individual and the environment. These works draw inspiration from my lived experiences — from the intimate spaces of home to distant lands across oceans. In today’s age of technical images, spatial and temporal differences are often compressed into homogenized virtual imagery. In response, I deliberately choose the “ancient” practice of hand-painting to delve into those unique, embodied, and subtle experiences.

For me, painting is a form of communication between the visible and the invisible. At a time when technological power expands boundlessly and human value is gradually diminished — perhaps due to our forgetting of the transcendental dimension — I seek through painting to re-intuit the visible world obscured by preconceptions, along with the mysteries and revelations that shine within it.

I believe that visual phenomena themselves are gifts given to the painter. In familiar domestic spaces and unfamiliar journeys alike, they arrive unexpectedly and irresistibly in myriad forms. My paintings are almost always summoned by these prior-arriving gifts. Through the lived bodily act of painting, these works collectively constitute a kind of diary, recording — directly or indirectly — the traces of my existence in the world.

Ultimately, through an individual perspective and language, I strive to restore the connections between human beings, the world, and the invisible, and to present them as paintings. I hope my art may serve as a way of receiving and responding to revelation.